Tag Archives: wrist tension

Body Mapping for percussionists/drummers!

Timpani and mallets photo.

The goal of the method of Body Mapping is to prevent pain, discomfort, and injuries in musicians through the understanding and exploration of the own body.

For 6 years I’ve been giving talks, workshops, and lessons about Body Mapping, it’s been great! But something that always has surprised me, is that I’ve only encountered a couple of percussionists interested in this approach. However, in the past I’ve known percussionists that had injuries: tired legs, back pain, tendinitis, ganglion cysts, etc. Some of them chose to go into surgery to alleviate their problem.

But, what if there is accurate information for finding ease in your body while playing?

I have chosen this time to talk about one of the main concerns for percussionists: the arms structure. This is not to say that they are not immune to different pains in other parts of the body!

When I was studying percussion in my undergrad, I had tendinitis in the forearm, which motivated me to search for different options. Ten years later I took the course, What Every Musician Needs to Know About the Body (WEM). Understanding my movements when I play and experiencing how I could apply this in my practice, changed my life!

Are there percussionists interested in learning Body Mapping’s approach to heal and/or prevent these injuries and to enhance your playing?

You are welcome to attend the following talk!

Injuries in the lower arm: tendinitis, carpal tunnel syndrome, and others.

New date in 2021!

Anatomical model of the hand on top of several sticks and mallets.
  • If you ever had or have pain, tension, or discomfort in the forearms and wrists while playing any percussion instrument
  • If you are interested in preventing these injuries
  • Check out this approach!

In this 60 min. class led by Gabriela S, licensed Body Mapping Educator, you will understand the symptoms, causes, and remedies to deal with tension and pain in the forearms, wrists, and hands. We will cover some challenges in different instruments.

  • Identify your own beliefs and ideas about the movement of your arms, wrists and hands
  • Discover and experience the truth about how your arms move and find ease
  • Apply this information in your practice and playing!

For all percussionist of all levels and music genres!

Questions write to contact@bodymapstudio.com!

Be in the waiting list and receive future date(s) for this class!

Are percussionists the freest instrumentalists?

Drummer playing

Barbara and William Conable, who are Alexander Technique teachers and developers of Body Mapping, are the authors of How to Learn the Alexander Technique: A manual for students. They explain common misperceptions in the body that musicians have that cause them tension. The part for percussionists says: Continue reading Are percussionists the freest instrumentalists?

An hour of learning!

Jennifer Jihnson and Gabriela Sanchez starting their presentation at Resonate 2016.

On October 15th Jennifer Johnson and I presented in the music educators conference Resonate 2016-NLTA.

Our presentation focused on recognizing some of the cultural myths and postures that produce pain and tension in the body. We talked about how these patterns interfere with the natural design of our bodies and explained accurate information about the body. We also shared some of the tools that we can use to help our students to develop a balanced body while learning to play an instrument.

Some of the topics discussed were neck, shoulder, and lower back pain; as well as tendonitis in the arm and carpal tunnel syndrome. Continue reading An hour of learning!

Your wrists in music

This is a quick explanation about the wrist and an example of how to transform a mis-mapping.

Watch the video and play music without tension in your body!

In my last notes I explained what body maps are and also that Body Mapping is about identifying and correcting mis-mapping that can cause pain and tension, and compromise our health while playing music. I mentioned a common mis-maping in the perception of our wrists.

Some mis-mappings are acquired by observing how the people in our lives move, our parents, friends, or teachers. When learning music we follow the instructions of the teachers and things like: “your wrist moves like a hinge” are the type of information that is not accurate and contributes to our mis-mappings.

Now the next step for you is to try to relate this information to your performance. Observe yourself practicing and notice how this can affect and improve your playing.

Let me know your discoveries and/or questions!